Screen Snapshots

Screen Snapshots
Showing posts with label Editorial. Show all posts
Showing posts with label Editorial. Show all posts

Monday, 21 January 2019

Screen Snapshots Returns! Hooray!



Hello 2019! Wait, what happened to 2018??

Alas, times have been tough here at Screen Snapshots over the last year and a half. On this occasion it’s not because of any fraught personal problems but due to nothing less than good old fashioned apathy. My issue has been with trying to find a way to communicate what I want to say in an appropriately informative and entertaining manner. However, my movie viewing habits have widened considerably since I started this blog, and though I still concentrate mainly on Pre-Code movies, I don’t stick to the same favourite stars as much as I used to (can you ever forgive me Cary Grant?). The result is that the number of interesting films I watch is greatly outnumbered by the amount of average, run of the mill ones. I watch so many movies that I think are fine, maybe even entertaining – but can I find anything to say about them? I could try, but I doubt it would be worth reading. There are enough film reviews out there that just give a basic plot recap with a thumbs up/thumbs down verdict and I’ve always strived to give a bit more than that. Regardless of that, the simple fact is that nothing has really demanded my attention of late.

For example, yesterday I watched Lucky Night, the 1939 romantic comedy starring Myrna Loy and Robert Taylor. I quite enjoyed it so I thought about writing a review. Then I thought more about it and realised that sadly I didn’t really have anything particularly stimulating to say about the movie. I could say that there were no scenes that grabbed me, no performances that stole the show and no minor moments of cinematic genius to be seen. At a push, I could talk about how it has a tone that shifts all over the place and that there were only a few fleeting flashes of brilliance from the cast. I still liked it though, but it would be a fairly worthless blog post. 

I’ve had a year and a half of movies like this it seems and as a result I have been gripped by a sort of movie watching existential crisis. Why can’t I find the right films to write about? Is it me? Have I angered the movie Gods? Has the muse left me? Did I ever have it to start with?

I began to think that perhaps my love of classic movies was waning, but considering it is something I still think about on a daily basis I don’t believe that my passion for the era has diminished. So it’s time for a bit of a rethink. I still want to write this blog, regardless of whether anyone actually reads it (and let’s face it, nobody reads this - but I forgive you, invisible non-existent readers). I’ll have to be a bit more creative in terms of articles until I find that elusive movie that piques my interest. I have a ton of 20s and 30s movie and radio magazines I’ve been meaning to sift through for interesting titbits of gossip. I also have a really cool piece of Myrna Loy memorabilia that I’ve been sitting on for years. Oh, did I ever tell you that my dad went out drinking with Montgomery Clift a couple of times? And also, isn’t Alice White really great? People need to write more articles about her.

So I guess there may be a bit more life in this blog yet. What say we give it another go in 2019? Shall we? .

(cue furious typing montage starring Lee Tracy as me…)

Thursday, 1 January 2015

A New Year, A New Start!


 
It’s been a tough couple of years for Screen Snapshots. Three posts in two years isn’t good for any blog but sometimes real life just gets in the way. I had a couple of false starts, times where I thought I was back in business but they really didn’t amount to anything. So with the new year I’ve paused for reflection and thought about whether to continue or not. The internet is littered with dead blogs, the product of temporary bursts of creativity that ran their course and left a half completed shell to gather dust and fade away into the cyber ether. Should I consign Screen Snapshots to the same fate?

The thing is, I started my blog because I enjoyed watching classic movies so much and felt that I had no one to talk about them with. Even if I never directly managed to get into conversation or correspondence with people about movies, or became part of the blogging 'scene', just getting my thoughts out there helped make me just a bit more content in life. I plugged away, looking at other blogs, doing a tiny bit of networking and promotion (I’m absolutely useless at this as I feel so self conscious having to blow my own trumpet, so to speak) and I felt like I had built up a modest little following. I got comments for a lot of my posts, some people followed my blog and occasionally someone would post a link to one of my posts. Somebody was reading, and this made me immensely happy. Additionally, each time I finished a post and put it online I really felt a sense of achievement. I’ve always had problems with motivation and confidence and for once I felt like I had a little corner of the world where I could be creative. And tens, maybe dozens of people might have read it!

The fact that anyone at all read my blog has really made me happy, and was something I never took for granted, and to anyone out there who did so, (and especially for those who felt compelled to post a comment) I am eternally grateful. You will never know how much it meant to me that someone thought what I wrote was interesting or entertaining and worth a few minutes of your busy day. That in itself has helped my confidence immeasurably.

And then personal problems got in the way, and my enthusiasm and motivation for writing about anything kind of dried up. Sadly, writing a blog is all about connections and networks and if you stop for a moment, people stop paying attention and move on to the next place. So if I want to keep going I basically have to start again and build my blog up from the bottom. My time away has probably cost me all my regular readers and followers as well as all the listing on countless blogrolls. It certainly cost me my membership on the CMBA, and it’ll probably take quite a sustained effort to get back into that esteemed company.

Despite my misgivings, I still enjoy watching classic movies and writing about them, so the blog will continue. There has been something missing in my life, and it has been the sense of achievement and enjoyment that writing this gave me. Again, thank you to anyone who has read this blog in the past, and I hope I can provide something worthwhile to read in the months to come. I have notes and half written blog posts for a couple of movies to finish up, so look forward to my thoughts on Union Depot, It’s in the Bag!, Internes Can’t Take Money, Big Brown Eyes and Diplomaniacs among others. I'm aware that what I really need to do is to work on the skills of writing a short review, but with a bit of luck I should be able to get them all finished soon. I also have acquired a rather interesting piece of Myrna Loy memorabilia which I have been meaning to share for ages now. What is it? Stay tuned to find out!

In the meantime. I wish you all a happy, healthy and classic movie filled 2015!

Wednesday, 6 April 2011

Life with Father


I’m back from my (slightly longer than anticipated) sabbatical, and if you’ll just indulge me for a short moment, I’m in a reminiscing mood. A while back I mentioned that were it not for Stan Laurel and his films, that I would not be writing these words right now and that I would not have the interest in classic movies that I hold today. Though essentially true, the real catalyst for my love of film has been and continues to be my dad and his enthusiasm for all things cinematic. Whether it was our constant trips to the cinema, or seemingly endless nights watching television together, my foremost memories of growing up involved a mostly small, and sometimes large flickering screen. It was there that I encountered the stars of the golden age; it’s heroes, villains, clowns and monsters. To this concoction we add in the Star Wars phenomenon, a pile of Betamax tapes from the video store and the works of Peter Sellers and there, dear reader, you have my childhood in a nutshell. I spent hour upon hour watching and thinking about films, both old and new, and would listen to my dad talk at length about his favourite scenes from his favourite movies. To this day I feel like I know the whole script from Algiers but still have never seen it.

Growing up I would always ask my dad questions about the films he liked and in particular about the movies he watched when he was young. This was because it mostly involved tales of watching Laurel and Hardy and I really think that like me, his early connection with their films paved the way for a lifetime of viewing. He once told me that when he was young his aged great grandfather confessed that he had never actually seen a film, so my dad immediately took him out to the local fleapit to see Bonnie Scotland starring his favourite stars. The elderly man spent the entire picture howling with laughter and my dad asked if he wanted to go again the next week. He replied that no, he had seen a film once and felt no need to go again. I always thought that an odd anecdote, with the concept of cinema being an experience akin to seeing the Great Pyramid: something to be experienced once then filed away as a treasured memory.

Despite this, film played a big part in his early life – he had an uncle who looked like Edgar Kennedy (which resulted in me being probably the only ten year old at school to actually know who he was) and as a baby was often bounced on the knee of Sir Harry Lauder, a friend of his grandfather. Later he traveled to the big city and joined the local Film Guild where he discovered a love of the ‘art house’ cinema of the day and directors such as Tati, Fellini, Herzog and Kurosawa. He met Burt Lancaster, Julie Christie and James Robertson Justice and on several occasions went out drinking with Montgomery Clift. I always doubted that particular anecdote but years ago I got him to put all his memories of Clift on tape and the level of detail he gave me convinced me that the meetings actually happened. Perhaps I'll dig them out and write it up for a future blog entry. Not surprisingly, my own tastes from this era point in the same direction as his. All children need to be exposed to the genius of Henri-Georges Clouzot at an early age!

In terms of his tastes, apart from the greats of 50s and 60s world cinema, my dad seemed drawn to the fringes of popular film. He liked the short subjects, the cartoons and the genre pictures of the golden age – the westerns, science fiction and gangster pictures. Looking back, I realize that virtually all my tastes have derived from those years sat in front of the television set watching the films that my dad had chosen to watch. As a result, alongside being a junior Edgar Kennedy expert I was also introduced to the likes of Joe McDoakes, Pete Smith Specialties, Crime Does Not Pay, Clark and McCullough and Benny Rubin. Whatever obscure treasure turned up on TV, my dad could tell me a little about it and whet my appetite enough to look for more. He didn’t have much interest in stars, with the exception of a handful of western actors like John Wayne and Randolph Scott or larger than life screen characters such as Peter Lorre or Boris Karloff. When I asked him his opinion of my new favourite, Ronald Colman, his one word reply was “insipid”. I was crushed, but we agreed to disagree. More exciting to him were the ‘real’ stars of the screen, King Kong, Frankenstein’s Monster, the Creature from the Black Lagoon and even Robbie the Robot. Being young and a card carrying Star Wars fan, this was music to my ears.

When the video revolution of the mid 80s came it suddenly dawned on me that all these films were increasingly being used as a babysitting tool and that in reality I had no choice whatsoever in what came back from the video shop. By this time my parents had split up and my dad had to baby-sit me while my mother worked nights. Luckily, due to our now shared love of genre cinema and the influence of Star Wars, my nights were filled with a plethora of (mostly Italian) rip offs of Conan the Barbarian, Mad Max, Raiders of the Lost Ark and the aforementioned George Lucas epic. Ah, the glory years of 80s exploitation! Again, this area of cinema history is one that I’ve kept with me, and which keeps me entertained to this day though I’d do anything to go back in time and write down all the films I saw, as the memories are slightly fuzzy. Looking back I was exposed to an awful lot of violence (and some occasional nudity) but never gore and horror, which didn't appeal to him. As a result, until fairly recently it didn't appeal to me either, though I'm currently trying to make up for lost time...

In more recent years we kept going to the cinema, but mostly to see the latest blockbusters. I found that my dad had less and less time for the classic films, finding them hokey and old fashioned, instead being impressed by modern special effects and editing (though still complaining that there were no new stories). We’d still go out of our way to see a revived classic though mostly it was me dragging him, and he was always interested in whatever new epic was coming out of the Far East. Sadly, other than that I remained disappointed that he liked nothing better than watching a Steven Seagal movie on late night television. In a way, it was at least refreshing that he chose to embrace the present and the future rather than clinging to memories of the past. It's something I still try to keep in mind when I get too wrapped up and dogmatic about certain eras or artists.
As I said at the start, please forgive my rambling reminiscence but I felt that it needed to be said. My dad sadly passed away a couple of weeks ago and despite my mixed up emotions and memories and his flaws as a person and as a parent, I’ve been thinking long and hard about his influence on my life. I’ve come to the conclusion that my love of films, and especially classic films is really his lasting gift to me. I also realize now that my golden childhood was far from golden. I have happy memories of our times together as a child, but as an adult I now understand that the television was only being used as a baby sitting tool, as a mere pacifier. In all the time watching television and going to the cinema, the choices were always his and my opinions meant little. The films were an excuse to avoid his parenting duties and talk to me.
Regardless of his real motivations, it was still time we spent together and it gave me a chance to soak up his enthusiasm and knowledge for something he enjoyed. I know now that a television is a bad parenting tool and that as great as movies are, they can’t take the place of actually having a proper relationship with your father. Despite all this, I still loved him, and I knew that he meant well. Perhaps he found it difficult to know how to relate to me, or perhaps he really was selfish and not interested in my opinions. The truth, as usual is probably somewhere in the middle, but without ever realizing it he gave me a life long interest that continues to give me huge pleasure. So in a way, he will still always have an influence on me, albeit an unintended one. And as the years go on, I hope wherever he is, he realizes that each time I step into the company of Mr. Laurel and Mr. Hardy, despite everything, I will think fondly of him.
Normal service will be resumed next time.

Wednesday, 9 February 2011

Screen Snapshots is Taking an Enforced Holiday...


Well, not so much a holiday, more an exile.

Screen Snapshots will be temporarily bowing out due to the unholy stresses of moving house. No one should have to put up with the joint and limb destroying effort of having to carry endless boxes of videos, DVDs and LPs down three flights of stairs and into a van, only to have to unpack them all over again. Okay, they are my endless boxes and people say it's my fault for collecting so much junk but that's not the point. It's not junk, it's an archive...

Anyway, all plans for this blog are shelved until the middle of March. This is not so much because of the move but due to the fact that our new internet and phone providers can't connect us up until March 9th!

I think the European Court of Human Rights need to be contacted as I will have been without a phone and (more importantly) internet for over six weeks. Six weeks!? In this day and age surely there is a law against that? Never mind that I'm currently writing this from a ridiculously overpriced internet cafe, but things have gotten bad.

So, sadly I bid you adieu for the time being. Thank you to everyone who reads this for your continued support and nice comments. I'll be back soon with a ton of things to do, like updating my links to include a lot of new blogs I like. I also need to investigate the blogs of all the lovely people who recently became followers of this blog as I'm a bit behind with that too. Oh, and I'd better start watching some movies so that I've got something to talk about.

Happy Trails until next month!

Friday, 24 December 2010

Merry Christmas!


Merry Christmas and Happy Holidays to everyone out there, may all your Christmas wishes come true!

Monday, 5 April 2010

Pick a Star

It has occurred to me that a love of the Golden Age of Hollywood at times is a completely separate thing from a love of film as a whole. For me, the focus is different, largely because situations existed in the studio system that no longer exist today, at least in Hollywood anyway. From the early 1920's and the rise of the producer as King, until the whole thing fell apart due to television, a new generation of film educated creators and the end of the long term studio contract, movies were made as part of a collective, conveyor belt process. The studios existed to create dreams and contracted artistes were by and large told what to do. This intense management of resources created a lot of great films, some quite bad films, and a lot of solid, well made films.

The great films went on to become cultural touchstones, and the rest...well they were remembered by the people that saw them then just hung around, waiting to be rediscovered. My point being, if you are a proper student of film, you seek out the best examples of the art form worldwide and go forth to write your thesis and scratch your chin. If you are a student of classic movies, you tend to ignore (or at least take for granted - we all know The Wizard of Oz is good) the classics and head straight for the bargain bin (or at least the blue cross sale). Cary Grant? Yeah, Bringing Up Baby is a stone cold classic, but give me Gambling Ship any day.

For me it's not about auteur directors or method trained actors, nor is it about innovative camera technique and epic cinematography (though theses things all help). It's about stars. It's about a window on a forgotten world. It's about the unexpected thrill of something quite out of the ordinary happening in a very ordinary film. The films I want to watch aren't directed by Hitchcock, Ford or Capra. They are directed by the workhorses of the era, the guys made those conveyor belt films and made damn good ones too. They are the almost (but not) forgotten likes of Archie Mayo, Lloyd Bacon, Ray Enright, Alfred E. Green and Roy Del Ruth. They made the movies that recorded what ordinary people in the 30's saw, felt and loved.

My original point for this was to talk about how I got started watching classic movies, how one star beget another and through six degrees of separation I ended up with the dozen or so favorites that I feel define me and my tastes. As I said earlier, to me, classic movie watching is all about the middle ground. However, while this may apply to the middle ground of directors, it doesn't preclude anyone from following the top end of the star spectrum. Because, really it all comes down to the stars.

I'm not going to rant about the difference between the stars of today and of yesteryear because really, that would be a futile waste of space and it's also like comparing apples and oranges. but what brings me back time and time again to the films of the Golden Age is the cast of big stars, small stars, character actors, bit-parters and all the people in between. And while I tend to shy away from the important directors, I have no such problems with the big stars. However, as previously stated, the middle ground of the filmography is where they all really shine. All those early 30's films with the crackle of energy and the zip of stars finding their way, all done in 65 minutes. It is such a shame that the era nowadays is reduced to a "Greatest Hits" package and that people don't wish to see a film or a star in their proper context. Humphrey Bogart's gangster films are great,but the real fun is in watching him climb up the ranks and cast lists in his early pictures, stealing the show until he becomes a fully fledged star.

You can easily watch a bad film, or a least a pretty dull one, but if your favorite star is in it then it doesn't seem so bad. You can anxiously wait for them to reappear on the screen and the time spent just watching them sometimes turns an average film into what is often generously labelled a "curio". Afterwards, in reflection you then piece together where the movie stands in the career of your favourite, maybe it's not their best (everyone made at least a few duds) but it can help in an overall understanding of why you like them. Personally I'd take countless average movies with their various quirks to the tried and tested, and frequently over-viewed "Greatest Hit". And this applies to most major stars. Do we really need to see Casablanca again?

As they say, the devil is in the detail, and I hope to dig up a few dusty corners of film history in the months to come. Next stop should be a certain love 'em or loathe 'em pre code comedy duo...

Friday, 26 March 2010

Feet First...

Where do I start? Well, having read some of the excellent blogs currently running I thought that I'd take the plunge and start my own. In theory, a good idea but I'm new to all this so please bear with me while I find my feet. Like many people out there I have a love for movies of the 'Golden Age' and essentially want to use this space to promote and discuss the lesser looked upon corners of cinema history.

It disturbs me that a generation of people have grown up with a lesser appreciation for an ever distant era of film. I grew up in the late seventies and early eighties of a strict diet of Laurel and Hardy and Harold Lloyd, and as I hit my teens I looked around me and found all sorts of wonders to pick from in the television schedules. Looking back I really wish that I had set my VCR to tape 24 hours a day as today all we are left with is the same few titles repeated ad nauseam. As you may or may not have guessed I live in Britain and don't have the benefit of the wonderful TCM. Unfortunately TCM Europe's idea of a classic film begins somewhere in the late 70's and end a few years ago. Heaven forbid they lose viewers by broadcasting in (gasp) black and white...

Well, that's a rant for another day. The point I'm making is that during my formative years I fell in love with all manner of leading ladies, lived vicariously through the leading men, laughed at a plethora of comics, marvelled at the wonders of silent film and basked in the glow of the silver screen. And now, in these difficult times, I cling to them all the tighter.

Hopefully with this blog (if anyone ever reads it) I can discuss whatever comes to mind based on my haphazard viewing schedule, and thus highlight a few films and stars that may be of interest. And perhaps it might be entertaining. Well, that's the plan anyway...

I must stress that I predominately watch films up until the end of the studio system. I kind of lose interest once the 50's roll around. Obviously there are many great movies from that era but they don't quite have the sparkle of a great silent or pre-code film. Also, being as how I'm British, I may stray off the Hollywood path occasionally to look at some home grown talents.

So basically I'm making this up as I go along. Let's see how it works out, shall we?